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Breaking Bad — Crafting a TV Pilot
The Dark Knight — Creating the Ultimate Antagonist
The Silence of the Lambs — Dissecting a Scene
When Harry Met Sally — Breaking Genre Conventions
Annihilation — The Art of Self-Destruction
Black Mirror — Now Entering the Twilight Zone
Ex Machina — The Control of Information
Parasite — The Power of Symbols
The Last of Us (feat. Writer & Creative Director Neil Druckmann) |
Searching — Reformatting a Thriller
Mad Men — Layers of Meaning
Telling a Story from the Inside Out
The Hidden Structure of Before Sunset
Blade Runner — Constructing a Future Noir
The Anatomy of Genres — A Conversation with John Truby |
How A Christmas Carol Perfectly Demonstrates Five-Act Structure
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Minority Report — When the Story World Becomes The Villain
One Marvelous Scene — Spider-Man: Homecoming
Christopher Nolan vs. Interstellar — The Nolan Crosscut
Adaptation.
Jaws — Assembling a Top-Tier Team (feat.
American Beauty (Part 1) — The Art of Character
Why Mass Effect Should Be the Next Game of Thrones
The Rules (Guidelines) of Adventure — The Pirates of the Caribbean
Aliens vs. Terminator 2 — How to Sequel like James Cameron
What’s new on my other channels
Shaun of the Dead — Why Comedy Needs Character
Hidden Figures — The Power of Subplots
Good Will Hunting — The Psychology of Character
A Quiet Place — How to Write Sound into a Screenplay
Memento — Telling a Story In Reverse
Whiplash vs. Black Swan — The Anatomy of the Obsessed Artist
Independence Day — What Makes it So Great
How Ghostbusters Became Ghostbusters
Inglourious Basterds — The Elements of Suspense
How Coraline Borrows from Ancient Forms of Storytelling
How Good Filmmaking Brings a Script to Life
Parasite vs. Sunset Boulevard — The Disillusionment Arc
The Matrix — Exposition in Action
The Soul of Good Character Design