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112 видео
Continuity Editing Part 2: Cut, Fade, Dissolve
Eisenstein, Battleship Potemkin, and Editing and Meaning
Introduction to Roland Barthes's Mythologies: Semiotics Part 2
The Four Levels of Meaning in Film Interpretation
Introduction to Italian Neorealism
Siegfried Kracauer's Theory of Film
Judith Butler's Theory of Gender Performativity, Explained
Andre Bazin's "Ontology of the Photographic Image"
Speed Racer (2008), Cel Animation, and Animetism
Gilles Deleuze's Cinema Books Part 2: The Movement-Image Ch. 1
Siegfried Kracauer's "The Mass Ornament," Explained
Gilles Deleuze's Movement-Image and Time-Image, Explained
An Introduction to Semiotics
Stanley Cavell's The World Viewed
Un Chien Andalou (1929) and Surrealist Cinema
Introduction to German Expressionist Cinema
Andre Bazin's "The Myth of Total Cinema"
Robin Wood's "An Introduction to the American Horror Film" / "American Nightmare"
2 Modes of Film Analysis: Poetics vs Hermeneutics
Christian Metz's The Imaginary Signifier: Psychoanalysis and the Cinema
Rick Altman's "A Semantic/Syntactic Approach to Film Genre"
Roland Barthes's "Death of the Author," Explained
Slasher Horror and Film Form: Killer POV and the Jump Scare
Body Genres: Linda Williams's Film Bodies: Gender, Genre, and Excess
What is Off-Screen Space?
The Other Side of Digital Cinema: Tangerine and Digital Realism
Laura Mulvey and the Female Gaze
Gilles Deleuze's Cinema Books Part 3: The Frame
Introduction to Film Genre, Part 1
The Cabinet of Dr. Caligari: From Caligari to Hitler
Introduction to Surrealism and Surrealist Cinema
Judith Butler's Gender Performativity, Part 2: What is "Performativity?"
German Expressionism's Influences
Sergei Eisenstein's Theory of Animation: Plasmatic Disney
Mulvey's "Visual Pleasure and Narrative Cinema" and Psychoanalytic Theory