We Are Film

How to Create a Color Palette from ANY Film Frame | iPad Pro + Procreate

RAW Proxy Workflow 2017 Premiere Pro

Left Ear Only Audio FIX in Davinci Resolve 16 | Mono to Stereo Tutorial

4K Film Grain | Adding 35mm Film Grain in Davinci Resolve & Premiere Pro

*Quick Tip* Frame Guides for Aspect Ratios + Safe Areas in Davinci Resolve 19!

How to use LUTs in Premiere Pro | Quick Tip

Music Video Behind the Scenes | Green Screen + 4K 120fps | URSA Mini Pro G2

THE BEST BUDGET iPhone Cage...and Wireless Monitor Cage?!?

Premiere Pro Quick Tip: Phone Voice Effect

Davinci Resolve Mini Panel from Black Magic Design Review

SLOWMOTION Tutorial in Davinci Resolve 16 | Convert 60fps to 24fps

Edit FASTER with the NEW CUT PAGE | Davinci Resolve 16.2

Using VST's in Davinci Resolve 16 | Noise Reduction & Effects

Setting up our NEW 84TB Video Editing QNAP NAS | Davinci Resolve 17

Learning "Curves" | Color Grading Tutorial | Premiere Pro, Resolve, & Final Cut Pro

Product Shoot BEHIND THE SCENES | URSA Mini Pro G2 300fps + Aptuture 300D MKII

DJI RS 3 PRO TEST FOOTAGE | BMPCC 6K & Sigma 50mm Art 1.4

Get Background Music Levels RIGHT with AUTOMATED FADERS in Fairlight | Davinci Resolve 17.4

Blocking Film Scenes + THE MAC STUDIO | We Are Film Podcast Episode 28

The BEST light for Filmmakers...HANDS DOWN | Nanlite PavoSlim 60C Review

Award Winning Short Horror Film Behind the Scenes | Over 2 Hours of B-Roll

Quick Tip | Add Cinematic BLACK BARS in ANY Aspect Ratio in Davinci Resolve 18!

Interview with Horror Filmmaker Ryan Godoy | We Are Film Podcast Episode #26

Micro-Series V-Mount for the RED Komodo & V-Raptor! IndiPro Tools Batteries & RED Plate!

SPEED UP any RED R3D Footage in Davinci Resolve with this 1 Hack...

RED Komodo + Meike Cinema Lens Test Footage

Video Editing File Structure for Narrative Film (Feature or Short Film)

5 Reasons why we bought the RED Komodo in 2022...

SHUDDER's HELLBENDER - Talking with Toby Poser + John Adams about Low Budget Horror Filmmaking

Our URSA Mini Pro G2 Broke...

Directing Horror Films, Pitching A24, & Working with James Wan | Interview with Tracy Kleeman

RED Komodo 6K + Atlas Orion Anamorphic 40mm, 65mm, & 100mm | The PERFECT Anamorphic Combo!

SAVE TIME!! Create Camera Metadata FAST & Sync with Timecode | Nano Lockit Logger Review

EDIT FASTER | Changing Multiple Clips at Once with the TRIM TOOL | Davinci Resolve 16 Quick Tip!

*EASY FIX* Importing Multiple Photos as INDIVIDUAL PHOTOS and NOT CLIPS | Davinci Resolve 17

EDIT FASTER in Davinci Resolve 17 with PROXIES | Proxy Workflow Tutorial

Stabilize Footage in Davinci Resolve 15

Proxy Workflow: Edit Large 4k RAW files on a Laptop! Premiere Pro CC 2015 and 2017

SmallRig Lightweight Matte Box Unboxing *ONLY $99*

FIXING Davinci Resolve Studio "Drive Mapping" using NAS between Mac + Windows

Scouting Locations for A Short Film

*LOW BUDGET* Filmmaking Tips for Short + Feature Films

Edit FASTER in Davinci Resolve | Black Magic Design Davinci Resolve Keyboard Review

Make Your Films CINEMATIC with these LUTs! | Triune Digital Cinematic LUTs v4 Pack Review!

*QUICK TIP* Open MULTIPLE TIMELINES in Davinci Resolve 17.4 | Timeline View Options

RAW vs LOG | What's the Difference?! | C200 RAW Lite & C-LOG 3

Timeline Color Grading + Correcting in Davinci Resolve 17 | Adjust Multiple Clips

*QUICK TIP* How to Enable Collaboration Mode in Davinci Resolve Studio 17.4

Saving & Exporting in Davinci Resolve 16 & 17

Importing & Apply LUTs in Davinci Resolve 15 | LUT Workflow

Cinematic Interview Setup | Lighting Breakdown