Satan in High Heels | Full Movie | 1962 | Exploitation
SATAN IN HIGH HEELS (1962) – FULL MOVIE | Classic Film Noir Crime Thriller
Satan in High Heels (1962). Lurid, stylish, and gloriously disreputable, Satan in High Heels arrives at the edge of noir’s decline and exploitation cinema’s rise—living comfortably in both worlds. Directed by Jerald Intrator, the film trades shadowy alleys for strip clubs, penthouses, and after-hours desperation, but its moral architecture remains pure noir: identity is transactional, survival depends on reinvention, and everyone is performing for someone. The full-length movie is presented here by @FilmGnoirMPC as part of our ongoing effort to preserve, curate, and contextualize classic genre cinema — especially where crime, glamour, and exploitation overlap.
Starring Meg Myles, Mike Keene, and Grayson Hall, the story follows a woman who escapes one life only to construct another inside the dangerous economy of nightlife and desire. Satan in High Heels treats glamour as camouflage and sexuality as currency, watching its heroine navigate men, money, and manipulation with equal parts calculation and desperation. Its energy is louder than classic noir, but the worldview is familiar: power belongs to whoever controls the room longest.
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This presentation is part of a curated archive, designed for fans of:
Classic film noir
Golden Age Hollywood movies
Gangster & crime dramas
Hard-boiled detective stories
1940s–1950s classic cinema
Black-and-white movies
About This Upload:
✔ Full movie, uncut
✔ Presented by a noir-focused archive channel
@FilmGnoirMPC specializes in classic films, public domain, restored presentation, and historically informed releases. If your YouTube searches go something like this: Satan in High Heels movie, film noir full movies, or classic gangster films – then this is the channel for you!
Why Satan in High Heels Matters
Though often labeled purely as camp or exploitation, Satan in High Heels deserves recognition as a bridge between classic noir and the more openly transgressive cinema of the 1960s. Its fascination with self-invention, gender performance, and moral improvisation extends noir’s logic into a brasher, less coded world.
That lineage runs forward into later films such as Jack Hill’s Coffy (1973) and Paul Verhoeven’s Showgirls (1995), both of which understand glamour as both weapon and trap. Viewed today, Satan in High Heels stands as a vivid exploitation noir—where the femme fatale doesn’t enter the story… she is the story.
If you enjoy films like Wicked Woman, Blonde Ice, The Girl in Black Stockings, or The Shanghai Gesture — Satan in High Heels belongs on your watchlist.
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Classic film noir · Golden Age Hollywood · Exploitation cinema · Deep cuts
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