KGM - Can You Feel The Heat
Rare Eurodance 1994, there is nothing about this group report,über diese gruppe ist nichts bekannt ! Eurodance (also known as Dance and Hands Up in Europe) is a genre of electronic dance music that originated in the late 1980s or early 1990s primarily in Europe. It combines many elements from House, Techno, Hi-NRG and especially Italo-Disco. Starting in the early 1990s and continuing to the present day, Eurodance production continues to evolve with a more modernized style that incorporates elements from Trance and Techno music.
Eurodance music is heavily influenced by the utilization of rich melodic vocals, either exclusively by itself or inclusively with rapped verses. This, combined with cutting-edge synthesizer, strong bass rhythm and melodic hooks establishes the core foundation of Eurodance music. Most Eurodance is also very melody-driven. Unlike most pop music which is usually written in major keys, most Eurodance songs are in minor keys. This along with positive lyrics helps contribute to the overall powerful and emotional sound of Eurodance. Besides the contribution of the female vocals, there is often a noticeable use of rapid synthesizer arpeggios. This is a very distinctive feature of Eurodance that separates it from Hi-NRG disco. The synthesizer often has a piano or barrel organ but sometimes mimics other instruments, such as calliope (e.g., "Touch the Sky" by Cartouche). There is often a short, repetitive riff, while other times there is a whole tour de force of synthesizers (e.g., Close To You by Fun Factory). Some songs have a second riff cycling in between verses. Rap verse has been one of the main distinguishing elements of Eurodance. While Eurodance makes use of rap vocals, it does not contain the lyrical themes of "gangster rap", nor does it follow many of the instrumental conventions of rap music, such as turntable scratching or heavy basslines. It does however focus on danceability similar to funk music which was a critical basis to the hip hop genre since many songs from that genre were sampled by hip hop artists.
Eurodance has, however, served to popularize rap music in Europe. While rap had been made in Europe at least as far back as Falco's Einzelhaft album (1982), the American variety only gained a more widespread acceptance when Technotronic landed their hit "Pump Up the Jam", followed by Snap's "The Power". The combination of house music with rap vocals in general came to be referred to as Hip house or "house rap". Eurodance is not well known in the United States outside of the major cities New York City, Los Angeles, Miami, etc. A few Eurodance artists (including La Bouche, 2 Unlimited, Real McCoy, and Ace of Base) made the Rhythmic Top 40, Top 40 Mainstream and the Billboard Hot 100 during the early-to-mid 90s. However, it tended to be the more house and rap-oriented artists that received airplay. For instance, the hip-house project Snap! received quite a bit of airplay early on.
The more Hi-NRG-oriented artists were typically played during special "mix" shows if at all, and it was often necessary to go to a club to hear Eurodance music. While Eurodance did become popular with club DJ's in the United States, radio stations were cautious about playing anything that sounded too much like disco during most of the 1980s and 1990s. By the end of the 1990s, however, some of the later acts such as Blue (Da Ba Dee) by Eiffel 65 and Barbie Girl by Aqua did receive extensive airplay.