ANNALIZED NOIOSE w/ JOHN EDWARDS live
#NoiseDelivery 157 • ANNALIZED NOIOSE w/ JOHN EDWARDS live @Imbarchino, 2022
Annalized (Annalisa Pascai Saiu): voice, distortions, tapes
Noiose (Elinio Bernè): snare, effects, no-input mixer
John Edwards: amplified double bass
https://noisemargin.bandcamp.com/albu...
https://rumble.com/user/annalized
/ noiose-102676084813892
https://vimeo.com/user78053334?fbclid...
Annalisa Pascai Saiu sardinian transdisciplinary artist. Ritual performer,poet,singer, improviser, visual artist,independent and underground curator and also organizer of NOISE DELIVERY and PROGETTOHECATE.
As for annalized, the artist has made her own the tradition of Sardinian improvising poets, and the flow of sound, is a storytelling in which she tells mythological stories, connected to traditional Sardinian tales, magic formulas, prayers, philosophical, mystical, theological theme.
Sometimes ironically, about herself, if she were a man, always within the ritual framework, which then leads her to weave songs, now improvised on Byzantine scales, with her own invented language that she received in a dream (like Tolkien's glossolalia), now psalms in biblical Hebrew or Orthodox hymns in ancient Greek, rather than prayers or formulas in the Sardinian language.
So she alternates and mixes her language with biblical Hebrew, ancient Greek and Sardinian language in a flow that is always improvised and site - specific, attentive to what comes from the place, both subtly and physically.
All this intersects perfectly on a semantic level of meaning and signifier with the gestural and sonic research of the duo's other artist, Emilio Bernè aka noiose.
Noiose has origin in the combination of deconstructive techniques beside the idea of glitch simulation with the authenticity of the individual psychism.
More specifically is in the absence of drum codes that this work has emerged, where new tricks are often discovered by accident or by the failure.
Technical errors and artifacts have become the aims for this set reduced to a minimum amount of information that allow to play with more concrete results. Ok
Starting from this axiom, the NOIOSE performance starts from an absence of pre-established language ,
from the destruction of the usual drum and percussion codes, overturning all logic.
In fact, the musician who has now become a performer stands up or kneels on the ground, completely abandoning even the normative posture of the instrument used,
now reduced to an almost robotic set, closer to a Post-Human work than to a drum kit.
He himself moves now fast, now slow around this infernal intonarumori machine.
The electrified spring surprisingly in the midst of the steel becomes between the folds of the sound,
a gentle evocation of a Japanese koto, played by expert hands.
An all-encompassing auditory and visual experience .
The place where the action takes place is fundamental, as it allows the analogue electronics used to take 'over' the performance itself,
once again overturning the meaning and significance of the role of the author himself.