"Useless samplers": why do they exist?
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Why are quirky, limited samplers like the OP-1 Field, KO-133, and Ableton Move so popular despite the existence of powerhouse devices like the MPC Live 2, Push 3, and SP-404? In this video, I explore the growing trend of “nostalgic toys” in music production, their creative limitations, and why they continue to captivate producers. Are they tools, toys, or something in between? Let’s dive into the debate and discover what makes these devices so appealing.
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