How to maximize the Dynamic range of your LOG footage
To learn more about getting that cinematic look with your GH5 go here: http://www.joo.works/colour-kit-gh5
I'll teach you few techniques for increasing the dynamic range of your LOG footage with out sacrificing the "POP" aka contrast. Well examine how much dynamic range of v-log can we use for the end image. This is rather advance color grading tutorial, but you can try to follow along. The footage you see is shot on gh5 with v-log.
If you don't have a gh5, don't worry, you can do the same trick with any camera that shoot log. Like a6500, or any sony amera that shoots log or Blackmagic cameras or cameras that shoot c-log.
We'll go trough how to use lut files and how to remove color noise from your footage in after effects. So let's start and MAX the DR.
This one is one in After Efffects, but the idea so simple that you can do this in Premiere Pro or Final Cut Pro X as well.
Subs to the channel:
/ @jooworks
Contact me for what ever reason:
[email protected]