Beyond the LUT — What DCTL Actually Does in DaVinci Resolve[ English & 日本語あり ]
A LUT is a table of results. A DCTL is the formula that produced them.
That difference is why a LUT can only ever give you what was baked into it,
and why a DCTL lets you keep deciding — with sliders, on your own footage,
after the shoot.
Five minutes on what DCTL is, what it can reach that a LUT cannot, and how
to install and use one in DaVinci Resolve.
Narration is in English. Japanese subtitles are burned in.
英語ナレーション・日本語字幕つきです。
── Chapters ──────────────────────────
0:00 Opening
0:07 The problem with a finished LUT
0:27 What you need (Studio only)
0:34 What DCTL actually is
0:57 LUT vs DCTL, point by point
1:40 What a LUT cannot reach
2:03 The DCTLs I sell
2:13 Installing it
2:38 Using it on a node
3:00 Where it goes in the node order
3:22 Four things that trip people up
3:49 You can write one yourself
4:22 Summary
4:46 Where to get them
── My DCTLs ──────────────────────────
English store (USD) https://dctl-lab.lemonsqueezy.com
BOOTH (日本語・円) https://dctl.booth.pm
Universal Output Transform — 11 camera Logs in, 9 display formats out,
with ACES 2.0 gamut compression
Anamorphic Flares — anamorphic streaks generated in Log space, not overlaid
Diffusion Filters — four types, eight grades, decided in the edit
Cinema Looks 4 / Genre Atmospheres 4 / Retro & Memory 4 — looks with a
continuous 0-1 strength
Film: Cinema Stocks 6 / Film: Photo Stocks 6 — film emulsions with halation
and grain on sliders
Auto Horizon — levels a tilted photograph in the colour page, colour untouched
── The article this video is based on ─
https://note.com/elflord/n/n7db3eb029f5d （日本語）
── Requirements ──────────────────────
DCTL is a DaVinci Resolve Studio feature. It does not run in the free version.
#DaVinciResolve #DCTL #ColorGrading #Colorist #LUT #PostProduction