How (Not) To Re-Edit a $200,000,000 Movie
In the spring of 2016, Warner Bros. made a decision that changed Hollywood forever.
They handed a $200 million feature film to an advertising agency and told them
to re-edit the entire thing. In six weeks.
This is the full story of the greatest post-production disaster in modern cinema —
the secret editing war behind Suicide Squad, the mythical original cut locked in
a vault, and the editing mistake that is still destroying films (and YouTube videos)
to this day.
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CHAPTERS
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0:00 – Intro
1:47 – Chapter 1 — The Wrong Man for the Job
4:00 – Chapter 2 — Three Bombs, One Movie
6:23 – Chapter 3 — Two Rooms, One Film
8:29– Chapter 4 — Sprint vs. Marathon
10:53 – Chapter 5 — Opening the Timeline
15:12 – Chapter 6 — The Names on a Film They Didn't Make
17:03 – Chapter 7 — $746M and Still Wrong
19:12 – Outro
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SOCIALS
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Instagram: / abelframes_
X: https://x.com/EditorForHire__
Website: abelframes.com
Gmail: [email protected]
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COPYRIGHT NOTICE
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This video may contain brief clips from Suicide Squad (2016),
distributed by Warner Bros. Entertainment. All copyrighted material
is used under the doctrine of fair use (17 U.S.C. § 107) for the
purposes of criticism, commentary, and educational analysis.
This video is not affiliated with or endorsed by Warner Bros.
Entertainment, DC Studios, or any associated rights holders.
No copyright infringement is intended.
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ABOUT THIS VIDEO
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In this documentary, I break down the full post-production collapse
of Suicide Squad (2016) — one of Hollywood's most expensive and
controversial editing disasters.
I analyze the critical difference between micro-pacing and macro-pacing,
why trailer editors and feature film editors require fundamentally different
skillsets, and how the panic decisions made in Warner Bros.' editing rooms
are being repeated by video editors on YouTube every single day.
You will learn why seven licensed songs in fifteen minutes destroys
audience retention, what ADR masking reveals about a broken production
pipeline, why Harley Quinn was introduced three separate times in the
same film, and exactly what the $22 million emergency reshoot tells us
about how fear-based decisions corrupt a timeline.
Whether you are a freelance video editor, a motion graphics designer,
a film student, or someone who has always felt that something was
deeply wrong with Suicide Squad but couldn't name it — this video
is for you.
The Ayer Cut still exists. Warner Bros. has never released it.
Protect the timeline.
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TAGS
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