We recently looked at the Blooper's ability to automatically retrigger itself, to stay aligned with a clock master across changing loop lengths. Here, we take that idea a few steps further, adding some radical Echoplex Digital Pro functions to the equation. We put the EDP through a variety of extreme loop manipulations, deliberately changing its loop length and start point throughout. The Blooper follows the EDP's lead, only breaking sync during overdubs, and then re-establishing sync when overdubbing is done.
Not gonna lie: between shifting synchronization, changing loop lengths, start point manipulations, and a pretty strange overall musical vibe, this is a weird one. As the saying goes: if you like this kind of thing, then this is the kind of thing that you'll like.
Part 1 of the Blooper/EDP partnership:
• Uncommonly Sophisticated Sync with th...
0:00 Sync and swim
0:12 Blooper sync loyalty meets EDP fluke royalty
1:03 Relationship status: it's complicated
1:57 Jazz Odyssey
Deep thanks to the following Patreon supporters for helping to finance this tutorial:
(in alphabetical order)
Tyler Armstrong
Randolf Arriola
Richard Atkinson
Steve Ball and Tiny Orchestral Moments
Tom Barton
Dan Burke
Carda
Steven Clements
Phil Clevenger
Stephen K. Coyle
Hal Dean
Tony Douglas
Rejyna Douglass-Whitman
Jeff Evans
Christopher Evans
Shawn Farley
Christopher Fedak
Jason Fink
Jens-Christian Fischer
Pepe Flores
Gaetano Fontanazza
Ross Garren
Joel Gilardini
Randy Greene
Anthony Hancock
Phil Heiliger
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Zak Kramer
Todd Lainhart
Jeff Larson
Rebecca Lee
Ken Luke
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Desmond McCollum
Dino Meneghin
Haydn Mowbray
Jesse Nason
Nostradamas Band
Jon Parsons
Michael Peters
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Matt Rowe
Gene Schwartz
Donald W. Spicer
Keith Spicknell
Darin Stewart
Chris Stromquist
Nakarin Teerapenun
Nik Tembe
Mr. Thingamabob
Chad Thornton
John Townsend
Bernhard Wagner
Paul Weber
Hugo Westerdahl
Ben Wright
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