Making DNx Proxies for Avid MC in DaVinci Resolve
Hey Guys!
This one is just to cover making DNx transcodes for Avid in DaVinci Resolve. I've seen a bunch of people run into issues with this in the forums if they've never done it before. So this will take you through the whole thing. Applying LUTs, making sure metadata is intact, even creating ALEs in Resolve if required!
If you run into issues trying to do any of this after watching the video just let me know and I'll do what I can to help!
Also as mentioned in the video here's a link to where you can download Arri Test footage for their various cameras and try this stuff out for yourself! (Use Webgate links in contents page)
https://www.arri.com/resource/blob/31...
As always here are chapter markers to help you get through the video:
00:00 - Intro
01:01 - Resolve Project creation
01:57 - Bringing in media
03:30 - Project settings and LUTs
06:02 - Resolve’s “Source Settings”
07:40 - Make ALEs in Resolve
08:22 - Configuring export settings
14:12 - Bringing transcodes into Avid
Specs of Avid system at time of recording this video:
MacBook Pro 2018
Six Core i9 2.9GHz CPU / 32GB of RAM / 4GB Radeon Pro 560X
MacOS 12.4 - Monterey
Avid Media Composer 2022.7
Music from my intro / outro is from the incredibly talented Bensound:
https://www.bensound.com