The Wuthering Heights Discourse Is Bad. Let’s Talk About It
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The new Wuthering Heights film by Emerald Fennell is certainly controversial. The discourse surrounding it, even worse. Let's chat about why this film isn't working for so many people, and how it could've been better. Come learn with me!
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Sources
Wuthering Heights by Emily Brontë
Colonialism and Heathcliff’s Identity by Apoorva B. Raj
Colonial Ideology and Building the Image of the Other: A Post-Colonial-Psychic Reading in the Novel Wuthering Heights by Hussein Talib Al-Janabi
Jane Eyre and Wuthering Heights and Their Filmic Adaptations by Tom Winnifirth
On the Brontëesque by Garrett Stewart in the Victorian Review, vol. 42, no. 2, 2016
Women’s Voices in Emily Brontë’s Wuthering Heights: The Challenge of Moral Standards in the Victorian Age by Belo Horizonte
”Gypsies” and Property in British Literature: Orlando and Wuthering Heights by Abby Bardi in “Gypsies” in European Literature and Culture
The Gypsy as Trope in Victorian and Modern British Literature by Abigail Rothblatt Bardi
Film Adaptation: The Case of Wuthering Heights by Andrew Maunder and Jennifer Phegley in Teaching Nineteenth-Century Fiction
The Name of Action: Nelly Dean and Wuthering Heights by John Fraser in Nineteenth Century Fiction, vol. 20, no. 3, 1965
The Birth of Wuthering Heights: Emily Brontë at Work by Edward Chitham
Follow the Hatred: The Production of Negative Feeling in Emily Brontë’s Wuthering Heights by Caroline Koegler
Becoming Moral: Ethical Violence in Wuthering Heights by John Mazzoni
Race Discourse in Wuthering Heights by Dr. Turki S. Althubaiti in the European Scientific Journal, vol. 11, 2015
Heathcliff’s Monomania: An Anachronism in Wuthering Heights by Graeme Tyler in Brontë Society Transactions, vol. 20, iss. 6, 1992
Byron and Wuthering Heights by E.B. Pinion in Brontë Society Transactions, vol. 21, iss.5, 1995
‘Of Spirits so Lost and Fallen’: The Violent Byronic Hero in Miserrimus and Wuthering Heights by Lydia Craig in Brontë Studies, vol. 48, 2023
Wuthering Heights as a Childlike Fairy Tale by Pier Paolo Piciucco in Brontë Studies, vol. 31, 2006
Folklore, Fear, and the Feminine: Ghosts and Old Wives’ Tales in Wuthering Heights by Paula M Krebs in Victorian Literature and Culture, vol. 26, no. 1, 1998
From Novel to Song via Myth: Wuthering Heights as a Case of Popular Intermedial Adaptation by Werner Wolf in Essays on Literature and Music (1985-2013)
Gothic Criticisms: “Wuthering Heights” and Nineteenth-Century Literary History by Emily Rena-Dozer
Heathcliff’s Great Hunger: The Cannibal Other in Wuthering Heights by Matthew Beaumont in the Journal of Victorian Culture, vol. 9, no. 2
”Out of My Brother’s Power”: Gender, Class, and Rebellion in Wuthering Heights by Abbie L. Cory for Women’s Studies, vol. 34, no. 1, 2006
Who Wrote Wuthering Heights? By Rachel McCarthy and James O’Sullivan https://sandiway.arizona.edu/ling388-...
“Wuthering Heights” and the Critics by Melvin R. Watson for The Trollopian, vol. 3, no. 4, 1949
The Wuther of the Other in Wuthering Heights by Steven Vine in Nineteenth Century Literature, vol. 49, no. 3, 1994
The Villain in Wuthering Heights by James Hafley in Nineteenth Century Fiction, vol. 13, no. 3, 1958
The Reader’s Guide to Emily Brontë’s Wuthering Heights, website created by Paul Thompson https://wuthering-heights.co.uk/index
The Influence of Byron on Emile Bronte by Helen Brown, 1939 https://www.scribd.com/document/96645...