Mehroz Ahmad Showreel
Worked with
*Charlie Ramos* and their work in previsualization (previs) at *DNEG* (Double Negative), specifically focusing on previs and layout work. Since I have information from web sources about Charlie Ramos and DNEG’s previs processes, I’ll provide a detailed response about their role, previs work at DNEG, and relevant context. Note that there was a potential mix-up in your previous query with “Charli” (possibly referring to Charlotte Zielinski or Charlotte Arnoult), but I’ll now focus on Charlie Ramos as requested.
Who Is Mehroz Ahmad:
Mehroz Ahmad is an experienced visual effects (VFX) professional with over nine years in the industry, specializing in roles such as Layout Artist, Camera and Body Tracking Lead, Matchmove Artist, RotoAnimation, Nuke Compositor, and 3D Journalist. He has worked with prominent VFX studios, including DNEG (Double Negative), Framestore, and Outpost VFX, contributing to high-profile films. Below is a detailed overview of Mehroz Ahmad based on available information.
Professional Background
Current Role: Assistant Professor and Camera and Body Tracking Lead, with expertise in layout, previs (previsualization), matchmove, rotoanimation, and lens distortion solving.
Experience: Over 9 years in the VFX industry, with a focus on:
Matchmove: Aligning CG elements with live-action footage for seamless integration.
Camera Tracking: Reconstructing camera movements to match live-action shots.
Layout and Previs: Setting up virtual cameras, scene compositions, and character blocking to plan shots before production.
RotoAnimation: Creating detailed rotoscoped animations for VFX integration.
Nuke Compositing: Combining visual elements using software like Nuke for final shot polishing.
Technical Skills: Proficient in creating geometry, models, and solving complex shots, with a strong understanding of VFX pipelines and tools like Maya and Nuke.
Education: Holds a Master of Arts (M.A.) in Visual Effects and Animation (2013–2015) from AJK Mass Communication Research Centre, Jamia Millia Islamia, New Delhi.
Notable Projects at DNEG and Other Studios
Mehroz Ahmad has contributed to several major films, primarily as a matchmove artist or digital artist at DNEG and other studios. His IMDb credits include:
Venom: Let There Be Carnage (2021): 3D Artist at DNEG (credited as Mehroj Ahmad).
Artemis Fowl (2020): Digital Artist (visual effects).
Underwater (2020): Digital Artist (visual effects).
Dolittle (2020): Matchmove Artist (visual effects).
Maleficent: Mistress of Evil (2019): Digital Artist (visual effects).
Dark Phoenix (2019): Matchmove Artist (visual effects).
These projects highlight his expertise in matchmove and layout, critical for integrating CG elements into live-action films, as seen in DNEG’s work on complex sequences like the action scenes in Venom: Let There Be Carnage.
Connection to Previs and Layout at DNEG
Your previous query about previs and layout work at DNEG suggests interest in Mehroz Ahmad’s contributions in this area. At DNEG, layout artists like Ahmad are part of a team responsible for:
Previsualization (Previs): Creating rough 3D sequences to plan camera angles, character movements, and scene flow, as described in DNEG’s job postings for layout artists. This involves tools like Maya and Unreal Engine (via DNEG 360 for virtual production).
Layout: Setting up CG cameras, blocking characters, and modeling set geometry to ensure shot continuity and prepare scenes for animation or VFX. Ahmad’s role as a layout artist would involve translating previs into production-ready scenes, as seen in DNEG’s pipeline for films like Masters of the Air (2024), where virtual production was used.
While there’s no direct evidence linking Ahmad to specific previs tasks at DNEG, his expertise in camera tracking and layout aligns with the previs-to-layout pipeline, where artists refine storyboards or animatics into 3D scenes. His work likely supported DNEG’s high-profile projects, such as Masters of the Air, where previs was used to visualize WWII aerial sequences.
Additional Details
Other Roles: Ahmad has worked as a Lead Matchmove and Body Tracking Lead at FOLKS, another VFX studio, indicating leadership in technical VFX tasks.
Portfolio: He maintains a Vimeo profile (mehroz_ahmad) showcasing his work as a VFX artist, 3D animator, and visual effects supervisor, though specific previs/layout reels from 2025 are not detailed in the provided sources.
Location: Likely based in India (given his education in New Delhi), but DNEG’s global operations (with studios in Mumbai, Bangalore, and Chennai) suggest he could work remotely or on-site for international projects.
Who is Charlie Ramos?
Charlie Ramos is a seasoned *modeler**, **layout artist**, and **previs supervisor* with an extensive career in animation and visual effects. According to available information, they have worked at major studios including **Pacific Data Images**, **Ilion Animation Studios**,