Alright, so the internet is kinda melting down over Open Gate right now — between the new Sony releases, the Venice 2 license situation, and some very spicy takes from Gerald Undone. So I figured… let’s talk about it.
Why is Open Gate suddenly the main character? Why does Sony want four grand for it? And why are cameras like the Lumix S1II and S1RII out here casually doing it straight out of the box for the price of a used lens?
In this video I break down the whole “Gate-Gate” situation, compare a few cameras that probably shouldn’t be compared, and just rant about why this feature is way more interesting than people give it credit for.
If you’re into Lumix stuff, filmmaking, or just watching me yell at expensive cameras, feel free to subscribe. Love ya, mean it.
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Lumix S5ii https://bhpho.to/411at4t
Lumix 35mm https://bhpho.to/4g1Houa
Sigma 28-105 https://bhpho.to/3ZGvNes
Zhyiun Cinepeer 100 https://bhpho.to/49sdtZC
Zhyiun X60 RGB https://bhpho.to/3ZgzLsQ
Comica https://bhpho.to/4gkoEWI
Rode Wireless 2 LAVS https://bhpho.to/3BjDhuy
Additional Gear
GH7 https://bhpho.to/4g0BRUL
Leica 10-25 https://bhpho.to/3DfaebW
Leica 25-50 https://bhpho.to/4igqI3I
Crane 4 Gimbal https://bhpho.to/3VrwsxH
Mitakon Speedmaster T1.0 MFT SET https://zyoptics.net/?ref=RhettThomps...
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Ulanzi
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B&H
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Smallrig
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Brevite Backapcks
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0:00 Anti Bullying Disclaimer
0:27 Open Gate, Gate
1:28 Let’s Get Undone
3:33 Sony vs Lumix
#Lumix #Panasonic #Filmmaker #filmmaking