Resolulion JOHN COLTRANE A LOVE SUPREME freejazzart vid by alansilva
A Love Supreme is a studio album recorded by John Coltrane's quartet in December 1964[1] and released by Impulse! Records (catalogue number AS-77) in February 1965. It is generally considered to be among Coltrane's greatest works, as it melded the hard bop sensibilities of his early career with the free jazz style he adopted later.
The quartet recorded the album in one session on December 9, 1964, at the Van Gelder Studio in Englewood Cliffs, New Jersey. Coltrane's home in Dix Hills, Long Island, has been suggested as the site of inspiration for A Love Supreme.[2]
Contents [hide]
1 Music
2 Reception and influence
3 Other performances
4 Adaptations
5 Track listing
5.1 2002 deluxe edition
6 Personnel
7 See also
8 Notes
9 References
10 External links
[edit]Music
Coltrane's classic quartet was completed with the addition of percussionist Elvin Jones, who performs various non-traditional instruments on A Love Supreme
The album is a four-part suite, broken up into tracks: "Acknowledgement" (which contains the mantra that gave the suite its name), "Resolution", "Pursuance", and "Psalm." It is intended to be a spiritual album, broadly representative of a personal struggle for purity, and expresses the artist's deep gratitude as he admits to his talent and instrument as being owned not by him but by a spiritual higher power.[2]
The album begins with the bang of a gong (tam-tam), followed by cymbal washes. Jimmy Garrison follows on bass with the four-note motif which structures the entire movement. Coltrane's solo follows. Besides soloing upon variations of the motif, at one point Coltrane repeats the four notes over and over in different modulations. After many repetitions, the motif becomes the vocal chant "A Love Supreme", sung by Coltrane (accompanying himself via overdubs).[3]
In the final movement, Coltrane performs what he calls a "musical narration" (Lewis Porter describes it as a "wordless 'recitation'")[4] of a devotional poem he included in the liner notes. That is, Coltrane "plays" the words of the poem on saxophone, but does not actually speak them. Some scholars have suggested that this performance is a homage to the sermons of African-American preachers.[5] The poem (and, in his own way, Coltrane's solo) ends with the cry "Elation. Elegance. Exaltation. All from God. Thank you God. Amen."[6]
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