"Turn the Beat Around" is a disco song written by Gerald Jackson and Peter Jackson and performed by Vicki Sue Robinson in 1976 (see 1976 in music), originally appearing on her debut album, Never Gonna Let You Go. Released as a single, the song went to #10 on the Billboard pop charts, and #73 on the soul chart. Robinson received a grammy nomination for best female pop vocal. The track went to number one on the disco chart for four weeks. "Turn the Beat Around" is considered a disco classic and is featured on many compilation albums.
Robinson recorded "Turn the Beat Around" on September 26, 1975, cutting her lead vocal in a single take after recording her own multi-tracked chorale vocals. Like the other cuts on Robinson's debut album Never Gonna Let You Go, "Turn the Beat Around" was recorded at RCA Studios with producer Warren Schatz who recalls the basic master of the song was recorded "on a Friday after a very depressing week of rain [and] I hated [the track]! I listened to it in my office and I just couldn't get it. It had been such a bad week that I just couldn't hear anything with an open mind. Then David Todd, the head of disco promotion at RCA, came into my office and he went crazy over the track! He convinced me to finish it as soon as possible."
Issued as a single in February 1976 "Turn the Beat Around" became a club smash subsequently breaking on Top 40 radio in Boston - where it would reach #1 that June - to make a gradual ascent on the national Pop chart: the Billboard Hot 100 to reach a #10 peak in August 1976.
Vicki Sue Robinson (May 31, 1954 – April 27, 2000) was an American theatre and film actress and singer, closely associated with the disco era of late 1970s pop music; she is most famous for her 1976 hit, "Turn the Beat Around.
Turn the beat around
Love to hear the percussion
Turn it upside down
Love to hear the percussion
Love to hear it
Blow horns you sure sound pretty
Your violins keep movin' to the nitty gritty
When you hear the scratch of the guitars scratchin'
Then you'll know that rhythm carries all the action, woah
Turn the beat around
Love to hear the percussion
Turn it upside down
Love to hear the percussion
Love to hear it
Turn the beat around
Love to hear the percussion
Turn it upside down
Love to hear the percussion
Love to hear it
Flute player play your flute 'cause
I know that you want to get your thing off
But you see I've made up my mind about it
It's got to be the rhythm, no doubt about it, woah, woah
'Cause when the guitar player start playing
With the syncopated rhythm, with the scratch, scratch, scratch
Makes me wanna move my body, yeah, yeah, yeah
And when the drummer starts beating that beat
He nails that beat with the syncopated rhythm
With the rat, tat, tat, tat, tat, tat on the drums, hey
Turn the beat around
Love to hear the percussion
Turn it upside down
Love to hear the percussion
Love to hear it, love to hear it
Love to hear it, love to hear it
Turn the beat around
Love to hear the percussion
Turn it upside down
Love to hear the percussion
Love to hear it
Turn the beat around
Love to hear the percussion
Turn it upside down
Love to hear the percussion
When the guitar player start playing
With the syncopated rhythm, with the scratch, scratch, scratch
Makes me wanna move my body, yeah, yeah, yeah
And when the drummer starts beating that beat
He nails that beat with the syncopated rhythm
With the rat, tat, tat, tat, tat, tat on the drums, hey
Turn the beat around
Love to hear the percussion
Turn it upside down
Love to hear the percussion
Turn the beat around
Love to hear the percussion
Turn it upside down
Love to hear the percussion
Turn the beat around
Love to hear the percussion
Turn it upside down
Love to hear the percussion
Turn the beat around
Love to hear the percussion
Turn it upside down
Love to hear the percussion
Turn the beat around
Love to hear the percussion
Turn it upside down