Klanghelm IVGI Review [Free Saturation & Distortion VST]
In this video, we're taking a close look at the Klanghelm IVGI plugin, a free saturation and distortion VST that can add warmth and character to your audio recordings.
The IVGI plugin is designed to emulate the characteristics of analog equipment, providing a range of different saturation modes that can be used to add warmth, punch, and grit to your sound. The plugin is incredibly easy to use, with a simple interface that allows you to quickly dial in the perfect amount of saturation for your track.
We'll start by going over the different saturation modes available in the IVGI plugin, including Fat, Warm, Crunch, Clip, and others. We'll explore how each of these modes affects the character and tone of your audio, and how you can use them to achieve different levels of distortion.
We'll also go over the different controls in the IVGI plugin, including Drive, Density, and Mix. We'll show you how you can use these controls to adjust the level of saturation, as well as the balance between the dry and wet signals.
We'll then demonstrate the IVGI plugin in action by applying it to a range of different audio sources, including drums, bass, and guitar. You'll hear how the plugin can be used to add warmth and character to these instruments, and how it can help them cut through the mix.
Whether you're a beginner or a seasoned audio professional, the Klanghelm IVGI plugin is an incredibly useful tool to have in your arsenal. So if you're looking for a free saturation and distortion VST that can add warmth and character to your audio recordings, be sure to check out this video and give the IVGI plugin a try!
TimeSteps:
00:00:00 Intro & Overview
00:01:12 Quick A-B
00:01:57 IVGI Character
00:03:30 Klanghelm
00:05:56 Features
00:06:19 Meters & Levels
00:10:14 Drive
00:12:16 Asymmetry
00:13:15 Response
00:14:48 Relaxed
00:16:43 X-Talk
00:18:04 Good & Bad
00:20:50 Making A Mix
00:21:41 Drums
00:31:38 Bass
00:34:56 Elec Piano
00:38:24 Gain Staging
00:45:31 String
00:48:00 Mix A-B
00:48:39 Reverb
00:52:11 Master
01:03:38 Conclusion
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