Clocking in a mastering studio is one of the most debated topics in digital audio — especially when it comes to who should be the master clock.
In this video, I compare three different clocking setups using the same source material:
AD converter as master
Audio interface (LIO-8) via AES
External masterclock (MUTEC MC-3+)
No processing changes were made — only the clock hierarchy changes. This allows you to hear how ADC clocking, AES clocking, and external masterclock setups affect the final sound.
This video is a listening experiment: there is no “right” or “wrong” clocking, only differences to hear and decide for yourself.
🎧 Use high-quality speakers or headphones for best results
💬 Let me know in the comments which setup you prefer and why
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https://soundsupport.de
Berndt Haensel's music:
https://www.berndt-haensel.com/albums
Immer wenn er Pillen nahm! on YouTube Music:
/ immer wenn er pillen nahm! - topic
#Clocking #MasteringStudio #ADConverter #AESClock #Masterclock #MUTECMC3+USB #LIO8 #DigitalAudio #JitterAudio
00:00 - opening speech
00:22 - converters
00:58 - prism Dream is master
02:31 - second run LIO master
03:09 - setting up DREAM as slave
04:31 - dream2
05:09 - different clocks-same level
05:35 - MUTEC as WC master BNC cabellling
06:10 - surprise
07:51 - do the clocks sound different (song 1) ?
08:02 - new song
09:47 - subtl differences
13:07 - conclusion
14:45 - outro