Fender '65 Twin Reverb VS Guitar Rig, AmpliTube, BIAS FX, Blue Cat's Free Amp Comparison Shootout
Fender '65 Twin Reverb
VS
Guitar Rig, AmpliTube, BIAS FX, Blue Cat's Free Amp
Comparison Shootout
**The amp and microphone settings are all standardized.**
Fender ’65 Twin Reverb
Input: Normal 2, Bright: On, Volume: 5, Treble: 5, Middle: 5, Bass: 5
Mic: Shure SM57
Native Instrumentes Guitar Rig 5 Pro
Twang Reverb, Matched Cabinet
Gate: Off, HI: On, Input Gain: 0dB,
Volume: 5, Treble: 5, Mid: 5, Bass: 5, Bright: On, Reverb: Off, Vibrato: Off,
Mic: B 100%, Dry 100%, Master Volume: 0dB
IK Multimedia AmpliTube 4
’65 Twin Reverb
Bright: On, Volume: 5, Treble: 5, Middle: 5, Bass: 5, Reverb: 1, Speed: 1, Intensity: 1,
Input: 0dB, Noise Gate Threshold: -100dB, Selected Module Vol: Default, Master: Default
Cabinet A: ’65 Twin Reverb, American 12K
Mic1: Dynamic 57, 0dB
Mic2: Off, Room: Off. D.I: Off
Main Vol: 0dB
Blue Cat’s Free Amp
Classic Clean
Gain: 0dB, Drive: 0, Bass: 0dB, Mid: 0dB, Treble: 0dB, Tone: 50%, Volume: 0dB
Positive Grid BIAS FX
’67 Blackface(Single Path)
Head: Gain: 5, Bass: 5, Middle: 5, Treble: 5, Presence: 5, Master: 5
Cabinet: Standard Cab, 2x12 Black Duo, SM57, Level: +15
Input: Default, Noise Gate: Off, Output Setting: Off, Output: Default
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Guitar: Zion Radicaster (Joe Barden pickups)
Round1: Front(single)
Round2: Rear(single)
Round3: Front(single)
Round4: Front(single)
Round5: Front(single)
Cable: Muztek PS-500
Preamp: API 3124+
Interface(A/D Converter): Digidesign 192 I/O
DAW: Pro Tools HD10
DAW Master Channel Insert: Waves L2, iZotope Ozone 8 Maximizer