The future of EXPRESSIVE analog synths is HERE
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ABOUT THIS VIDEO
I've been waiting 50 years to experience analog synthesizers responding intuitively and immediately to pitch, timbre and volume changes from the slightest movements of my fingers on a keyboard! In this video, you'll see and hear unprecedented control of one of the most extreme patches I've ever made. It incudes (4) Vintage ARP 2600's synthesizers and (1) Vintage 1969 Moog IIIc modular synthesizer playing all at once in unison mode or where each modular synth is playing a separate voice in the chord. I've never heard my favorite all-time analog synths sounding so musical, so different and just so good!
To accomplish this task, we are using 5 channels of Haken Audio CVC (Control Voltage Converter) to receive MPE messages from an Expressive E Osmose and also from a Haken Audio Continuum. These state of the art MIDI controllers are able to understand the players most subtle finger movements and immediately translate those messages to the CVC. Without any perceivable latency, the CVC can then send 4 independent control voltages to alter any parameter in real-time on any one of the synths being used as a voice.
My special guest, Osmose and Continuum expert performer Josh Madoff demonstrates all the features on both of these keyboards by playing musical examples. I'll be explaining what's going on, playing some duets with Josh and also providing an in-depth breakdown of the patches on each synth. I'm optimistic that we'l be seeing controllers n the near future delivering higher and higher levels of artistic experiences for performers. Please enjoy the this presentation and let us know what you think in the comments section. Thank you for your support, it means everything to us!
00:00 Anthony's Intro
00:41 Osmose Musical Example
01:11 Set Up (4) ARP 2600s (1) Moog IIIc
01:43 About the Osmose
03:05 About the Continuum
05:25 Musical Examples playing (4) ARP 2600s (1) Moog IIIc from Osmose
10:04 Our Experience Performing with Continuous Control Voltage
13:22 Sostenuto Pedal
15:22 Anthony Plays with a lot of Resonance
16:35 Musical Example - Osmose MPE Arpeggiator
18:23 Musical Example - EaganMatrix Sound Engine & Vintage Analog Modular
22:30 The Control Signals Osmose, Continuum & Haken CVC
25:17 Type of Control & Articulations
27:50 The Synth Patch on the Moog Modular IIIc
31:55 The Synth Patch on the ARP 2600s
34:36 RECAP of Control Voltage Signals Going to the Analog Synths
36:35 Controlling Each Synth Voice from the Keyboard
38:00 Anthony's Summary
38:25 CTA, Thank you
38:49 Logo (theme music)
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ABOUT ANTHONY
Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including Young Guns , Internal Affairs , The Man From Elysian Fields , 15 Minutes and Planes, Trains & Automobiles , been commissioned by the Los Angeles Philharmonic for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as Michael Jackson's Thriller .
His extensive work as a young arranger, orchestrator and performer for Quincy Jones , Jack Nitzsche , Lamont Dozier , Arthur Rubenstein and Giorgio Moroder was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.
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