Most wedding filmmakers struggle with one question —
Should you edit and color grade in the same software, or split the workflow?
In this video, I share my real-world wedding film workflow where I edit my videos in Premiere Pro, export in the highest bitrate shot in S-Log3, and then color grade in DaVinci Resolve using scene detection.
This is not a step-by-step tutorial.
It’s a thinking process — why this workflow makes sense, when it works best, and how it keeps your edits fast and your grades clean.
👉 If you want to learn how I edit bridal reels in Premiere Pro, watch this video:
• The SIMPLEST Way to Create Stunning Bridal...
👉 If you want to learn how I color grade my wedding films, watch this video:
• Best method to Convert S-Log3 to Rec709 in...
• HOW to Colour Grade cinematic REELS in ado...
This workflow is especially useful for wedding filmmakers who want the best of both worlds — fast editing and professional color grading — without overcomplicating their process.
📸 Gear Used in This Video:
🎥 Camera: Sony A7S III
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📷 Sigma 24mm f1.4 art
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📷 Lens: Sony 35mm f1.8
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💡 Lighting: Godox SL 150
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Godox Octa Softbox 90cm
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🎤 Microphone: Hollyland lark M2S
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🎬 Gimbal/Tripod: DJI Ronin Rs3 Mini
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🔗 Some of these are affiliate links, which means I earn a small commission at no extra cost to you. Thank you for supporting the channel!
#weddingfilmmaking
#premierepro
#davinciresolve