slashcam

Canon EOS R5 Mark II for Video: 8K 50p RAW, Canon Log 2, SRAW, Skintones ...

DJI Air 3S: Best Picture Out of the Box? + Mavic 3 Cine Pro compared

iPhone 16 Pro Max vs DJI Osmo Action 5 Pro

Blackmagic RAW for Sony FX6 and FX9 + Status Ursa Immersive

AJA: Color Box 3.0 for DITs and new Kona IP 25 explained

Atomos Shinobi II Camera Control + Touch Focus explained, Ninja Phone 4K Update and more

SmallRig RC 100B und RC 220B COB LED Lights explained

Nanlite PavoSlim 240CL: High Output 4x1 RGBWW LED

Canon EOS C80 erklärt: Fullframe Stacked Sensor, 4K 60p Oversampled?

Adobe Premiere Pro 2025 explained: New Color Management, faster Export ...

Blackmagic Pyxis Monitor and Use Cases explained

DJI Neo: Vlogging + Selfie AI Drone: The Future of Drones?

Tips & Tricks for Content Aware Fill in Adobe After Effects CC // NAB 2019

AJA ColorBox: HDR/SDR/LUT-Transform: New Standard for DITs on Set?

Sony A1: 8K Video, LOG/LUT Skintones, Slowmotion, AF-Performance

Blackmagic URSA Cine 12K explained: Dynamic Range, new Media ...

8 Bit HD vs 10 Bit 4K: Panasonic GH6 + Atomos Shogun Connect

8 Bit vs 10 Bit Panasonic GH5 internal recording - the difference

Blackmagic Cinema Camera 6K explained: Fullframe Sensor, L-Mount, Dynamic Range ...

NAB 2022 Tutorialclip: DaVinci Resolve 18: AI-Mask Objects, Depth Mask, Surface Tracker

Blackmagic Ursa Cine Immersive explained: Formats, Workflows, Shooting Tips

Blackmagic Ursa Cine 12K: 16 Bit 12K RAW, 224 fps, Skintones, LOG/LUT ...

Adobe Premiere Pro 2024: New AI Features explained

Sony G Master 50mm F1.4 vs Zeiss Planar 50mm F1.4 / Sony A1

Blackmagic URSA Mini Pro 12K: Resolutions, Skintones, LOG/LUT, Panning, Slowmotion

IBC 2018: Blackmagic RAW - Why better than CDNG RAW? incl. Sidecar, Compression Schemes, etc.

Adobe Premiere Pro 25.5 explained: New effects library and workflow improvements

NAB 2022: Camera To Cloud, Frame IO and Premiere Pro

ADOBE Premiere Pro explained: AI Removal of Pauses and Fillers + internal Camera Mic Clean-up

Panasonic GH7 vs GH6: ProRes RAW, Autofocus, 32 Bit Float

Canon EOS C400 Test: 12 Bit 6K RAW 50p, Skintones, Dual Pixel AF, Stabilization ...

iPhone 17 Pro Max VS DJI Osmo Pocket 3: Stabilization, Resolution, Zoom, Skintones ...

Blackmagic Design: Video Assist 4K New Ursa Mini Menu Resolve 12.5 NAB 2016

Z Cam E2 S6: Mini S35 6K Raw & ProRes Camera // NAB 2019

Adobe Premiere Pro: New Functions + Best New Hidden Feature // NAB2018

IBC 2022: Blackmagic Design Ultimatte 12 Keyer explained

New EIZO Grading Monitors explained: Flagship ColorEdge CG3100X & CG2400SV

DaVinci Resolve 16: Cut Panel, Hidden Gems, Laptop Use... // NAB 2019

IBC 2019: Blackmagic Design Video Assist 12G HDR with BM RAW Recording // IBC 2019

Resolve 18.5 explained: Best New Features, Relight, Text-Based Editing, Hidden Gem ...

Panasonic GH5 Firmware 2.0 (final): Autofocus, ALL-I, Hybrid Log Gamma

Sony Catalyst Edit NAB 2015

Nikon Z6II + Blackmagic RAW via Video Assist 12 G

DJI Mini 3 Pro: 1st shots: 4K 60p, D-Cinelike, Focus Track, Master Shot ...

Next Adobe Premiere Pro CC: Speed vs Bugs, Bedienphilosophie // IBC 2017

IBC 2018: Adobe Premiere Pro CC: Color Curves, Noise-Reduction, Performance Gains, etc..

Panasonic GH5 10 Bit 4K vs GH4 8 Bit, Focus Transition, Lowlight a.o.

Z-Cam Mark II Line-Up explained

Sennheiser Funkstrecke EW-DP erklärt: Neue Funktionen, Ergonomie, slashCAM User Fragen

ARRI Color-Management for Virtual Production explained + best ARRI Cam for Virtual Sets

Sachtler FSB 10 Counterbalancing Ursa Mini 4.6K Setup

Test: Sony FX3 Firmware 2.0: Cine EI / S-LOG 3, AF Assist, FE 24–70 mm F2.8 GM II

New Functions in Premiere Pro + Using AI generated Content (Firely) for Video

Sony FX3 Test: Autofocus (70-200mm!), Skintones, 100fps Slow Motion, LOG/LUT, Stabi ...

RED RAVEN TEST: Ronin Gimbal, HighSpeed 300fps, REDCODE 8:1 / 4K-Version

NAB 2022/Frame.IO Integration in Premiere Pro: Workflow Basics