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The artist, then, learns in his work that he did not produce a being like himself. From it, it is true, there comes back to him a consciousness in the -sense that an admiring crowd reveres it as the Spirit which is their own essence. But this inspiration, since it returns to him his self-consciousness only as admiration, is rather a confession to the artist that the inspired work is not on the same level as himself. Since his work comes back to him simply as joyfulness, he does not find therein the painful labour of making himself into an artist, and of creation, nor the strain and effort of his work. Furthermore, the crowd may judge the work or bring it offerings, endue it with their own consciousness in whatever way it may be: if they with their knowledge set themselves above it, he knows how much more his act is than what they understand and say; if they put themselves below it and recognize in it the essence which dominates them, he knows himself as the master of this being. (§709, Phenomenology of Spirit)