Herbert Maryon : Who, what and where? | SoKnow
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Herbert Maryon
Herbert James Maryon, OBE, FSA, FIIC (9 March 1874 – 14 July 1965) was an English sculptor, goldsmith, archaeologist, conservator, author, and authority on ancient metalwork. Maryon had two careers, in effect. He was the first director of the Keswick School of Industrial Art, a teacher of sculpture at Reading University, and Master of Sculpture at Durham University. He retired in 1939. After World War II, Maryon was recruited out of retirement to begin his second career as a Technical Attaché at the British Museum. He conserved the major finds from the Sutton Hoo ship-burial, an Anglo-Saxon grave widely identified with King Rædwald of East Anglia—the work for which he is best known which led to his appointment in 1956 as an Officer of the Order of the British Empire.Maryon had attended three art schools, apprenticed in silversmithing with C. R. Ashbee, and worked in Henry Wilson's workshop by his mid-twenties. From 1900 to 1904, he served as the director of the Keswick School of Industrial Art where he designed and exhibited numerous utilitarian and decorative Arts and Crafts works. A year of teaching metalwork at the Storey Institute preceded a move to Reading University, where he taught sculpture, metalwork, modelling, and casting until 1927. He then worked until 1939 at Durham University as Master of Sculpture and lecturer in anatomy and the history of sculpture. Maryon published two books while a teacher, including the standard Metalwork and Enamelling, and continued sculpting. He was commissioned to design memorial plaques and war memorials such as the University of Reading War Memorial. He also published more than a dozen articles about early metalwork and archaeology, and he brought students along on archeological digs; he excavated the Kirkhaugh cairns in 1935, discovering one of the oldest gold ornaments known in Britain.Maryon's second career began when the British Museum hired him in 1944 to work on the Sutton Hoo finds, newly removed from their World War II hiding place in the London Underground. His responsibilities included restoring the shield, the drinking horns, and the iconic Sutton Hoo helmet, which was publicised widely and proved influential academically and culturally. Maryon's work, much of which was revised in the 1970s, created credible renderings upon which subsequent research relied. One of his papers during this time coined the term pattern welding to describe a method employed on the Sutton Hoo sword to strengthen and decorate iron and steel. The initial work on the Sutton Hoo finds was brought to a close in 1950, and Maryon turned to other matters. He proposed a widely publicised theory in 1953 on the construction of the Colossus of Rhodes, influencing Salvador Dalí and others, and he restored the Roman Emesa helmet in 1955. Maryon left the museum in 1961, a year after his official retirement, and began an around-the-world trip lecturing and researching Chinese magic mirrors.Maryon died in 1965 and has been termed "[o]ne of the finest exemplars" of a conservator. His works remain influential, particularly Metalwork and Enamelling, which remains in print more than a century after its initial publication.
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