The Yashica Mat 124 G is the latest model in a long line of square, twin-lens reflex (TLR) cameras produced by the Japanese company Yashica since the 1950s. This type of camera is known as a TLR, for Twin Lens Reflex. The Yashica Mat 124 G is entirely mechanical with manual settings and a coupled light meter for independent exposure adjustment. It produces 6x6 square negatives on 120 film, not 120mm!
FILM PHOTOGRAPHY COLLECTION - Written, presented, and directed by Yann BRESSON
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🔖 CHAPTERS
00:00 Intro
00:19 General Information
01:45 A Little History
03:15 Design
04:32 Loading/Unloading
07:02 Shooting Settings
11:34 Flash & Self-Timer
12:03 Pimp my Yash
13:14 Tips & Tricks
14:27 User Experience and Photo Gallery
15:54 Closing Remarks
🌐 SOURCES OF INFORMATION AND DOCUMENTATION
Blogs and Databases:
http://www.yashicatlr.com
The 124G page: http://www.yashicatlr.com/66ModelsPag...
http://www.lumieresenboite.com/collec...
Manuals and Instructions:
Yashicamat 124G Manual: http://35mm-compact.com/pdf/yashica-m...
Exploded View: https://learncamerarepair.com/product...
For disassembly, cleaning, and minor repairs:
http://www.suaudeau.eu/memo/rep/yashi...
• Video
• Video
• Fix Old Cameras: Rolleiflex Fogged Lens
• YASHICA MAT 124G CLEANING & LOADING
• How to clean the focus screen and the mirr...
A quick update on 220V
• 220 Film - Can You Shoot That?
🎥 Technical support: Smartmedias - https://www.smartmedias.fr
Image Credits: Wikimedia Commons / Clément Livolsi / Tonicito / Johannes Maximilian / David / Eugene Ilchenko / Paul Sokk / Miloš Jurišić / DANYvanvee / Bertrand Labévue / Biswarup Ganguly / Wigwam Jones /
Music Credits: Krzysztof Pietras (aka Red Octopus) / Golden Shark | Kiril Zaplotinsky / BMI
Video graphics credits: Motion VFX
🙏🏻 THANKS
My partner Olivia, who lets me make stuff for YouTube all by myself late at night in the dark.
My Mom, who let me learn photography with her Minolta SRT 101b when I was little.
I even borrowed it once without telling her. I got a real scolding... But it didn't discourage me!
Ronald Gazzola, whose encouraging yet demanding little voice I can still hear when I'm shooting and editing a video.
Jean-Pierre Couderc, the first professional photographer I met, admired, and whose work still inspires me.