When the ballet teacher marks a very slow 2/4 or 4/4 for battement tendus we, musicians, are in trouble most of the times. The tempo can be for an adage but we must play something that it's articulated and accentuated. In my experience, it took me a long time to feel comfortable playing this kind of tempi. A few years ago I started to work a lot with the great teacher SUSANNE LINDSTRÖM who collaborates with me on this video. Together we found other music styles for these kinds of battement tendus, and nowadays I enjoy them a lot. I hope my examples help you to feel more expressive and secure with the "slowest battement tendu".
WATCH UNTIL THE END to see the BLOOPERS, lol!
Examples:
1. Susanne marks: 00:02:33
2. Improvisation: 00:05:31
3. Swan Lake "Russian Dance": 00:06:26
4. "Esmeralda" variation: 00:06:59
5. "The Rose": 00:09:02
6. "La Vie en Rose": 00:10:02
7. "The Umbrellas of Cherbourg": 00:11:35
8. "You don't know what love is": 00:12:55
SWEDISH NATIONAL BALLET SCHOOL
https://svenskabalettskolan.se/
/ @swedishnationalballetschool
JONATHAN STILL blog
https://jonathanstill.com/2021/02/28/...
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Edition, graphics and thumbnail: Tatyana Mircheva
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