Cytographia (Screen Recordings of Interactions)
Cytographia is a real-time interactive, dynamically animated, generative artwork by Golan Levin, editioned on the Ethereum blockchain by Art Blocks in January, 2024. This video presents screen recordings of some brief, casual interactions with the project.
---------------------------
Cytographia is an elegy for species we will never know, or will never know again, expressed through generative illustrations from an imaginary book about imaginary organisms. This cytopoietic codex depicts speculative cell structures whose appearances and movements arise emergently and in response to real-time user interactions. Cytographia was created using p5.js (an open-source programming toolkit for the arts) and may run best in the Chrome browser on OSX.
An algorithmic "neoincunabulum of xenocytology", Cytographia presents an interactive diagram of a one-celled microorganism, styled to evoke a hand-drawn engraving. Every aspect of this illustration is generated through custom code, including the simulated behavior and anatomy of the depicted creature, the calligraphic quality of its lines, the asemic letterforms of its labels, and the virtual "paper" on which it is rendered. Cytographia's drawings may be exported as high-resolution PNG images, or in an SVG vector format suitable for pen-plotting.
According to a recent estimate, there are about one trillion species of microbes on Earth, of which 99.999% have yet to be discovered. Experts have also calculated that between 0.01 and 0.1% of all Earth's species are becoming extinct each year. If these estimates are accurate, then between 100 million and 1 billion species are becoming extinct each year — the vast majority of which are undiscovered microbes. Cytographia offers a Borgesian speculation on what these vanishing lifeforms might have been like to observe and interact with.
The Cytographia project draws inspiration from several historically significant books that visually and methodically documented encounters with the unknown. These include Robert Hooke's Micrographia (1665), a landmark of scientific observation in which living cells were described for the first time; Edmund Fry's Pantographia (1799), an attempt to compile exemplars of all the world's writing systems; Ernst Haeckel's Kunstformen der Natur (1899), a rich exploration of symmetry and structural hierarchy in natural forms; and Luigi Serafini's hallucinatory Codex Seraphinianus (1981), a visual encyclopedia of an artist's imagined world. The generative letterforms in Cytographia are loosely based on 16th-century typefaces by Ludovico degli Arrighi.
Cytographia represents a culmination of several long-time threads in Golan Levin's thirty-year oeuvre of interactive software art, including research into responsive blobs (e.g. Polygona Nervosa, 1997); artificial life (e.g. Obzok, 2001); the use of physics simulations in computational drawing (e.g. Floccus, 1999) and the algorithmic generation of asemic writing systems (e.g. Alphabet Synthesis Machine, 2002).
Cytographia requires a modern browser with WebGL and hardware acceleration enabled. The recommended configuration for Cytographia is the Chrome browser on MacOS, in which the artwork is known to produce consistent and replicable results. The project responds to both mouse/touch and keyboard interactions. New diagrams can be obtained by pressing RETURN, and an index of Cytographia's key commands can be displayed by pressing h (for "help"). These key commands provide access to functionality including file export; toggles that enable or disable various graphical options, potentially improving performance on some systems; and access to a playful "sandbox" mode, in which a collector or visitor can assemble the organelles of their own imaginary lifeform.