This week we talk about monsters, especially the big kind. Ray Bradbury's story is a little sad and often poignant - what makes it so effective?
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Going Back to Our Roots - The Flowering of the Strange Orchid by H.G. Wells
The Bottle Imp - Robert Louis Stevenson
Love or Generosity? - The Happy Prince by Oscar Wilde
Rivals to Enemies - The Shadow & The Flash by Jack London
Monsters - The Fog Horn by Ray Bradbury
The Haunted Dolls House by M.R James
Dr Heidegger's Experiment by Nathaniel Hawthorne
Villain Protagonists - Moonface by Jack London
The Celestial Omnibus - EM Forster
Lovecraft's Best Craftmanship - The Music of Erich Zann by H.P. Lovecraft
Our First Competition Winner! - Kill the King by Josephine Lenski
An Offbeat Ghost Story - Caterpillars by E.F. Benson
The Perfect First (and Last) Line - The Reticence of Lady Anne by Saki
Fate Bending and Genre Blending - The Monkey's Paw by W.W. Jacobs
Short Story Collections [Discussion]
Not Your Average Episode - The Red Umbrella by Matt Bowles
The Masque of the Red Death by Edgar Allan Poe
Weaving a Romance - A Shameful Affair by Kate Chopin
The Mermaid of Druid Lake by Charles Weathers Bump
Different Perspectives - The Damned Thing by Ambrose Bierce
Writing Humour - The Ransom of Red Chief by O Henry
Intrigue and Time - Accessory Before the Fact by Algernon Blackwood
Genre Writing and Science Fiction - Lazarus Comes Forth by Ray Bradbury
The Sequel Challenge - The Lonely Fisherman by Melody Bowles