Aesthetics of dying, coming together of family and the last vital breath in Kashi, India’s sacred city. A video reflexive ethnography by Rajat Nayyar.
This ethnographic film explores the way in which Hindu pilgrims and their families stage a distinctive politics-of-care, while they anticipate and create the possibility of Moksha for their dying relative in Varanasi, India’s holy city. This research examines audiovisual ethnography as it facilitates a performative space that allowed me and my interlocutor Shiv to navigate the holy city and improvise different possibilities for his mother’s Moksha during his ten-day stay in Varanasi. The film premiered internationally in 2019 at the Royal Anthropological Institute (RAI) Film Festival in Bristol, UK.
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