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The sound generation is based on a synthdef by Rukano (which is based on a meme, which is based on Eurovision). I modified sound to use slightly different envelopes for every partial, to sharpen the attack and to have the sound gradually decrease in amplitude over time. From the sound, I generated a dissonance curve and from that, generated a 12-tone just scale.
For the melody, I generated Markov chains from a MIDI version of We Three Kings. I slowed the result down, added legato and mapped it to my derived scale. The overlapping tails of notes ends up obscuring the brass sound and makes it sound more like a pipe organ or bells.
from 12 Days of Crimbo, released January 1, 2016 https://charleshutchins.bandcamp.com/...