If you love TED LASSO – this gem of an interview is for you!
James MacLaughlan, the VFX Supervisor for this Apple TV+ Emmy nominated show, shares priceless anecdotes from set and behind the scenes for the visual effects. One of the best stories is about hiring an American visual effects company to tackle the visuals for this Britain set show – and the cultural difference that got revealed in the process. In addition to that, Seasons 2 and 3 were shot during the COVID-19 pandemic. Here, James explains how he maneuvered the challenges of that time.
James MacLachlan is a London-based VFX Supervisor and Director with a career spanning 19 years.He has worked for studios in New Zealand, Australia and the United Kingdom.
James has worked at a number of London VFX houses including Glassworks and The Mill and is currently a Freelance On-set VFX Supervisor, Flame and Nuke Artist. He offers secure remote artistry on both Flame and Nuke in his London studio. Over the years he has completed high end VFX on TV Commercials, TV Series effects and design, Channel Idents, Feature Films, Music Videos, Virals and Interactive Online Video projects. He is also known for his work on 28 WEEKS LATER (2007), WICKED SCIENCE (2004) and TED LASSO which has been nominated for an Emmy for Outstanding Special Visual Effects, in 2023.
This is one of the most insightful and amusing interviews from a VFX Supervisor, not to mention candid. Check it out and learn what this job entails, including during the unpredictable times of a world-wide pandemic.
LINK TO FULL INTERVIEW WITH JAMES:
• Creating the World of TED LASSO: Insights ...
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