FU6U3 57473
900 photo Hyperlapse Aberdeen
*equipment&software used
fuji finepix s6800
zoomh4n
ffmpeg.org
reason 4
audacity
https://www.imaging-resource.com/PROD...
https://www.soundonsound.com/reviews/...
https://wink.messengergeek.com/t/wind...
𝒸𝑜𝓁𝓁𝑒𝒸𝓉𝒾𝓃𝑔 𝓅𝓇𝑜𝒸𝑒𝓈𝓈𝒾𝓃𝑔 𝒶𝓃𝒹 𝒹𝒾𝓈𝓈𝑒𝓂𝒾𝓃𝒶𝓉𝒾𝓃𝑔 𝒶𝓃 𝓊𝓃𝒾𝓃𝓉𝑒𝓇𝓇𝓊𝓅𝓉𝑒𝒹 𝒻𝓁𝑜𝓌 𝑜𝒻 𝒾𝓃𝒻𝑜𝓇𝓂𝒶𝓉𝒾𝑜𝓃 𝓌𝒽𝒾𝓁𝑒 𝑒𝓍𝓅𝓁𝑜𝒾𝓉𝒾𝓃𝑔 𝑜𝓇 𝒹𝑒𝓃𝓎𝒾𝓃𝑔 𝓎𝑜𝓊𝓇 𝒶𝒷𝒾𝓁𝒾𝓉𝓎 𝓉𝑜 𝒹𝑜 𝓉𝒽𝑒 𝓈𝒶𝓂𝑒
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The process of integrating life into the digital panopticon involves many fronts. “Natural assets,” “Ecosystem Services,” and “Green Finance” are all phrases revolving around the financialization, surveillance, standardization, and management of ‘nature’ through various technologies.
The phrase ‘ecosystem services’ refers to all quantifiable benefits that life provides to humans, such as: water purification, natural pollination, air cleansed by forests, medicine etc. Quantification takes place at a scientific level, (measuring inputs and outputs using systems analysis, relevant chemical domains, and statistics) and is translated into monetary effects.
Two, superficially independent, sources of momentum create these systems. Establishment institutions, the academic, governmental, financial, industrial, and diplomatic organizations represent one source. This group broadly pursues mass digitization, citing typical arguments, and operates through major international organizations like the United Nations, the European Union, the World Bank, major corporations and their foundations, NGOs, private foundations, and so on.
The other track presents itself as a ‘disruptor’ and purports (to varying degrees) to oppose the dominating tendencies of the first group. This track is born out of the historical Silicon Valley cyberpunk networks, which often present a rebellious or social-justice-focused ideology. In reality, they originated from and consistently side with the same people as mentioned above. This track also attempts to co-opt revolutionary, communal, anarchistic, and anti-imperial groups and pull them into the digital fold.
Both leverage our deteriorating dance with the mountains, streams, oceans, fish, fungi, and fur, to sell us a new rhythm. However, this new beat, shaped by the doctrine of mathematics, is designed to channel our laughter, spontaneity, despair, and mundane routines into engineered circuits. These circuits project reflections of our movement, light, and thoughts, in a digital version of reality. Vast global computer networks – trillions of communicating circuits – serve as bones. By detailing the specifics of how this process is unfolding, we can begin to grapple with reality and face ourselves in the present.