The D Major Pentatonic Scale
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D major (or the key of D) is a major scale based on D, consisting of the pitches D, E, F♯, G, A, B, and C♯. Its key signature has two sharps.
Its relative minor is B minor and its parallel minor is D minor.
The scale-degree chords of D major are:
Tonic – D major
Supertonic – E minor
Mediant – F-sharp minor
Subdominant – G major
Dominant – A major
Submediant – B minor
Leading-tone – C-sharp diminished
Relative key B minor
Parallel key D minor
Dominant key A major
Subdominant G major
Component pitches
D, E, F♯, G, A, B, C♯
https://en.wikipedia.org/wiki/D_major
In music, relative keys are the major and minor scales that have the same key signatures (enharmonically equivalent), meaning that they share all of the same notes but are arranged in a different order of whole steps and half steps. A pair of major and minor scales sharing the same key signature are said to be in a relative relationship. The relative minor of a particular major key, or the relative major of a minor key, is the key which has the same key signature but a different tonic. (This is as opposed to parallel minor or major, which shares the same tonic.)
https://en.wikipedia.org/wiki/Relativ...
In music theory, a major scale and a minor scale that have the same starting note (tonic) are called parallel keys and are said to be in a parallel relationship.
https://en.wikipedia.org/wiki/Paralle...
The dominant key is the key whose tonic is a perfect fifth above (or a perfect fourth below) the tonic of the main key of the piece. Put another way, it is the key whose tonic is the dominant scale degree in the main key.
https://en.wikipedia.org/wiki/Dominan...
In music, the subdominant is the fourth tonal degree (scale degree 4) of the diatonic scale. It is so called because it is the same distance below the tonic as the dominant is above the tonic – in other words, the tonic is the dominant of the subdominant. It also happens to be the note one step below the dominant. In the movable do solfège system, the subdominant note is sung as fa.
The triad built on the subdominant note is called the subdominant chord. In Roman numeral analysis, the subdominant chord is typically symbolized by the Roman numeral "IV" in a major key, indicating that the chord is a major triad. In a minor key, it is symbolized by "iv", indicating that the chord is a minor triad.
In very much conventionally tonal music, harmonic analysis will reveal a broad prevalence of the primary (often triadic) harmonies: tonic, dominant, and subdominant (i.e., I and its chief auxiliaries a 5th removed), and especially the first two of these.
https://en.wikipedia.org/wiki/Subdomi...
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