Applying LUTs to raw footage during filming is a must in order to approximate how footage will look after grading. However - how do LUTs fit into the post production workflow, and how has their function changed in recent years? This tutorial explains LUTs of a basic theoretical level, before looking at the application of 1D and 3D LUTs in the Node Editor of the Color Page.
00:18 - look-up tables (LUTs) explained
00:57 - practical application of LUTs
01:29 - creative application of LUTs
01:46 - sourcing
01:56 - usability - should one use LUTs?
02:45 - demonstration
03:02 - 1D and 3D LUTs
03:42 - Rec.709
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Narrated and edited by Daria Fissoun
Materials from Anti-Social (2015)
Director: Reg Traviss
DOP: Bryan Loftus
Producer: Mouktar Mohammed
RST Pictures
Recorded at SAE Institute London (http://www.sae.edu/)
Screen capture software is CamStudio by RenderSoft (http://camstudio.org/)
Intro and outro by Kevin MacLeod (http://incompetech.com/)