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The world’s first stereoscopic reconstruction of a painting.
67 unique characters, each rendered as three-dimensional models, come together to form a clear spatial composition. Depth and perspective appear "within arm’s reach", inviting the viewer into the canvas to experience it from a new perspective.
The project posed a challenge to animators, who were required to meticulously interpret and recreate the 1878 original and find solutions to problems such as how to depict figures who were partially obscured by those next to them.
Project Manager: Rafał Kidziński
Producer: Marcin Kobylecki
Production Manager: Magdalena Matejek
Artistic Supervision: Tomek Baginski
https://www.behance.net/gallery/Battl...
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Jan Alojzy Matejko (also known as Jan Mateyko; June 24, 1838 – November 1, 1893) was a Polish painter known for paintings of notable historical Polish political and military events. His works include large oil on canvas paintings like Rejtan (1866), Union of Lublin (1869) or Battle of Grunwald (1878), numerous portraits, a gallery of Polish kings, and murals in St. Mary's Basilica, Kraków. He is counted among the most famous Polish painters.
Matejko spent most of his life in Kraków. His teachers at the Kraków Academy of Fine Arts included Wojciech Korneli Stattler and Władysław Łuszczkiewicz. Later, he became a director at this institution, which eventually was renamed to Jan Matejko Academy of Fine Arts. A number of his students became prominent painters themselves, including Maurycy Gottlieb, Jacek Malczewski, Józef Mehoffer and Stanisław Wyspiański.
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The Battle of Grunwald, First Battle of Tannenberg or Battle of Žalgiris, was fought on 15 July 1410 during the Polish–Lithuanian–Teutonic War. The alliance of the Kingdom of Poland and the Grand Duchy of Lithuania, led respectively by King Władysław II Jagiełło (Jogaila) and Grand Duke Vytautas (Witold; Vitaŭt), decisively defeated the German–Prussian Teutonic Knights, led by Grand Master Ulrich von Jungingen. Most of the Teutonic Knights' leadership were killed or taken prisoner. Although defeated, the Teutonic Knights withstood the siege of their fortress in Marienburg (Malbork) and suffered minimal territorial losses at the Peace of Thorn (1411) (Toruń), with other territorial disputes continuing until the Peace of Melno in 1422. The knights, however, would never recover their former power, and the financial burden of war reparations caused internal conflicts and an economic downturn in the lands under their control. The battle shifted the balance of power in Eastern Europe and marked the rise of the Polish–Lithuanian union as the dominant political and military force in the region.
The battle was one of the largest in Medieval Europe and is regarded as the most important victory in the histories of Poland, Belarus and Lithuania. It has been used as a source of romantic legends and national pride, becoming a larger symbol of struggle against foreign invaders. During the 20th century the battle was used in Nazi and Soviet propaganda campaigns. Only in recent decades have historians moved towards a dispassionate, scholarly assessment of the battle, reconciling the previous narratives, which differed widely by nation.