Composing Production Music - Avoid These Mistakes (The Big 3 Revealed)
Composing Production Music - Avoid These Mistakes (The Big 3 Revealed)
So you've put a loads of effort into composing your production music tracks, you've done everything you possibly can to ensure that they are of the highest quality and then you submit them for library music...
Only to hear nothing.
This video highlights the mistakes you're probably making when submitting production music and will help you to become a successful TV and film composer. If you understand why your music gets rejected, you can increase the chances of winning those film and TV music licensing opportunities.
*EXCLUSIVE PRODUCTION MUSIC OPPORTUNITY* Join our writers circle and have your tracks pitched to companies like Disney and HBO
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If you want to get your music synced on TV or film there are certain principles you have to understand to make your music work to picture. There are certain elements that production music libraries are looking for but beyond that, you need to know how the editors, producers or supervisors listen to your music.
In this video, I talk about the main reasons your music gets rejected and reveal my personal music producer tips that I’ve been using for 10 years to not only ensure I get TV music placements, but also that my music gets used as often as possible.
MUSICAL MUSINGS - Music Industry Advice & Tips
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0:00 Introduction
1:39 1. Structure: Is It Usable?
8:08 2. Is The Idea Relevant?
9:10 3. Is Your Mix Letting You Down?
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