How Wes Montgomery Plays ii–V 🔶 The Hidden V7 Side of the Wes Line

Опубликовано: 15 Май 2026
на канале: Voicelid Jazz Guitar
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This video is part of the series:
"VoiceLid Jazz Guitar: The Diagonal Harmony Series 🔶 Wes to Django"

▶ Start from the first video in this playlist:
   • VoiceLid Jazz Guitar: The Diagonal Harmony...  

Previous episode:    • The "Piano Secret" Wes Montgomery Used to ...  
Next episode:    • How Wes Montgomery Covered the Whole Neck ...  

🎸Wes Montgomery’s ii–V lines sound different for a reason.

In the previous lesson, we learned the “Wes Line” — the diagonal idea that creates the m7 (ii) sound.
But today, we uncover the OTHER SIDE of the Wes Line:
The same diagonal logic creates the *V7 sound* when shifted.

You’ll learn:
• How the Wes Line becomes ii(m7)
• How the “other side” becomes V7
• Why this diagonal mirror explains Wes’s ii–V flow
• How to apply this on real ii–V–I progressions
• How Django and Wes used the same mirrored structure

This is one of Wes’s real improvisational secrets — not scales, but diagonal harmony.

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📚 *Download the free PDF exercises & follow the full series:*
https://voicelidjazzguitar.com/buildi...

🎬 *Related Lessons:*
1️⃣ Wes Montgomery Octave Position Secrets. Master the Style!
2️⃣ Wes Montgomery’s Secret ‘Wes Line’ Explained – The Hidden Diagonal Logic of Jazz Guitar
3️⃣ Wes Montgomery’s Second Secret – The Django Line Explained
4️⃣ The Other Side of the Wes Line 🔶 How Wes Montgomery Completed Django’s Logic (You're Here)

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🕒 *Chapters*
00:00 Intro — The Other Side of the Wes Line
01:10 Recap: Wes’s First Secret (The Wes Line)
03:45 Django’s Foundation and the Two-Finger Path
06:20 The A-Form and B-Form Symmetry
09:15 Mirroring the Line: How Harmony Moves Diagonally
12:30 Applying It Over ii–V–I Progressions
15:10 Expanding to Modern Guitar Concepts
18:00 Connecting to Pianistic Voice-Leading
20:00 The Functional Diagonal Approach in Full View
22:10 Summary & Next Episode Preview

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