This video is part of the series:
"VoiceLid Jazz Guitar: The Diagonal Harmony Series 🔶 Wes to Django"
▶ Start from the first video in this playlist:
• VoiceLid Jazz Guitar: The Diagonal Harmony...
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🎸Wes Montgomery’s ii–V lines sound different for a reason.
In the previous lesson, we learned the “Wes Line” — the diagonal idea that creates the m7 (ii) sound.
But today, we uncover the OTHER SIDE of the Wes Line:
The same diagonal logic creates the *V7 sound* when shifted.
You’ll learn:
• How the Wes Line becomes ii(m7)
• How the “other side” becomes V7
• Why this diagonal mirror explains Wes’s ii–V flow
• How to apply this on real ii–V–I progressions
• How Django and Wes used the same mirrored structure
This is one of Wes’s real improvisational secrets — not scales, but diagonal harmony.
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📚 *Download the free PDF exercises & follow the full series:*
https://voicelidjazzguitar.com/buildi...
🎬 *Related Lessons:*
1️⃣ Wes Montgomery Octave Position Secrets. Master the Style!
2️⃣ Wes Montgomery’s Secret ‘Wes Line’ Explained – The Hidden Diagonal Logic of Jazz Guitar
3️⃣ Wes Montgomery’s Second Secret – The Django Line Explained
4️⃣ The Other Side of the Wes Line 🔶 How Wes Montgomery Completed Django’s Logic (You're Here)
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🕒 *Chapters*
00:00 Intro — The Other Side of the Wes Line
01:10 Recap: Wes’s First Secret (The Wes Line)
03:45 Django’s Foundation and the Two-Finger Path
06:20 The A-Form and B-Form Symmetry
09:15 Mirroring the Line: How Harmony Moves Diagonally
12:30 Applying It Over ii–V–I Progressions
15:10 Expanding to Modern Guitar Concepts
18:00 Connecting to Pianistic Voice-Leading
20:00 The Functional Diagonal Approach in Full View
22:10 Summary & Next Episode Preview
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