Modes Part 1: Modal Progressions
In Modes part 1, I break down the process for writing Modal Music using Modal Progressions, which are essentially a sub-set of Tonal Music as we are still using Tertian Harmony (Chords stacked in 3rds).
MISTAKE: I didn't label the CMaj7 chord with the "Caution" symbol in the Phrygian and Aeolian Modes. CMaj7 and G7 should be used with caution when writing Modal Music.
If you haven't watched my episode "Myths About Modes," you may want to start here: • Video
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0:00 Intro
01:27 Character Notes of each Mode
03:45 General Guidelines for writing Modal Progressions
05:43 Idenfitying Chords
07:04 Caution Chords
07:51 Dorian Mode
09:03 Phrygian Mode
10:17 Lydian Mode
11:58 Mixolydian Mode
13:39 Aeolian Mode
14:55 Ionian Mode
15:55 Outro
PDF of the charts that show the Modal Chord Progressions for each Mode
https://drive.google.com/drive/folder...
PDF of the 7 Modes and their Characteristic Note: https://drive.google.com/file/d/1igsX...
Music Links:
Benedictus by Karl Jenkins: • Karl Jenkins - Benedictus
Star Trek the Next Generation: • Star Trek: The Next Generation theme (HQ)
Braveheart: • Braveheart Soundtrack - For The Love Of ...
Wave by Jobim: • Antonio Carlos Jobim - Wave 1967
Gymnopedie No 2: • Erik Satie - Gymnopédie No.2
Eleanor Rigby: • The Beatles - The Beatles - Eleanor Rigby ...
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