Equalizing isn't the solution: choose the right microphone!
Ribbon microphone or condenser microphone? How to choose one to mic a sound source? In this video, I show, through real examples recorded here in the studio, how each type of microphone responds to different instruments and musical intentions.
00:00 - Introduction: How the choice of microphone defines the sound
00:31 - Example 1: Voice and Guitar (Samba/Articulated) - Angela Veloso and Tarcísio Santos
02:06 - Technical Analysis: Why use Condensers (Neumann U87 and Schoeps MK4)
04:16 - Special thanks: 6,000 subscribers to Studio 12 Por 8!
05:24 - Example 2: Voice and Piano (Slow/Textured) - Diego and Luan Almeida
06:40 - Technical Analysis: The use of Ribbon Microphones (AEA KU5A and R88)
07:59 - The importance of MIDRANGE frequencies in ribbon microphones
09:45 - Mix signal chain: Rupert Neve Master Bus and SSL Fusion
10:51 - Versatility of the Beyerdynamic M160 (Hypercardioid Ribbon)
12:25 - Why have multiple microphone options in the studio?
14:37 - The psychology of hearing and sensitivity to mid-range frequencies
15:16 - Technical requirements for ribbon mics: Preamps with high gain and high impedance
16:13 - Recommendation for a national ribbon mic: Felipe Mafra (Old Box Ribbon)
17:02 - Why I'm using fewer and fewer condenser mics
18:53 - Investment Philosophy: Acoustics, Monitors and Microphones
20:20 - Closing
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