Corporeality. Sweating the discourse, an embodied critique (4)
Unlike traditional criticism, carried out by a subject onto an object of study, in this work the simultaneity of the physical and intellectual discourse makes subject and object coincide in the same person: the dancer. Criticism is embodied and thus sweats. With this proposal, Aimar Pérez Galí (dancer / choreograph from Barcelona) will try to take a step ahead, to convey the alternative potential of this kinaesthetic language while unfolding a critical analysis of how the figure of the dancer has been historically a figure of subalternity, a muted subject without political voice.
Aimar Pérez Galí (*1982) lives and works in Barcelona.
Museum Folkwang (21.9.2018)