The ending. What makes Motionless Ecstasy feel complete. A metaphor for life. When working on Plenitude, I always wanted it to have that feeling of fulfilment, as if one's existence is whole, and can accept the next chapter their soul undertakes. But they aren't scared, only holding one true emotion; plenitude. Sound spiritual, but I wanted the theming to really go somewhere that I relate, as well as enjoy exploring. Life after life holds many meanings to many people. I don't want to disclose mine, but I've always hoped that when my life here ends, I don't hold a grudge, instead thankful of the entity that is my life. For that to work, the track only consisted of a small set of chords and drum patterns. After all, euphoria is true Chill. I have two favourite parts of the track. Firstly, when the choir and riser play out, before the beat truly hits in; then the other chords soon form prior to the last ballad. The second is the piano chords at the end, feeling bittersweet in the notes played, yet hopeful for what the future may bring. Plenitude is a track I've had for over a year, and despite some tweaks over that period, the bulk of the song always stayed the same. I hope that others have a unique connection to the track as I do, whether it be with their religious beliefs, a past event, or simply for the rhapsody. This is Motionless Ecstasy...
Aturax Audio (Zimbalon Shot FX, Water Cooler Dark Bass Shot FX 2):
/ @aturaxaudio
Metris:
metris.bandcamp.com
ninaprotocol.com/profiles/metris0-0
soundcloud.com/metris-77761303
music.apple.com/us/artist/metris/279969883
www.instagram.com/metris0_0/
freesound.org/people/Stylix_Recordings/